Roxane gay pieces
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I would always hear comments like “you talk like a white girl” or “you dress like a white girl.” I was always judged because I had a group of white friends that stayed in a nearby neighborhood as me.
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The black kids didn’t accept me at my school because I wasn’t to them “black enough.” This term black enough wasn’t an implication of my skin tone but rather the way I spoke, act, dressed, and even the type of music I listened to. Roxanne Gay’s “The Politics of Respectability” brings me back to my times in elementary and middle school when other black kids used to call me an “Oreo.” This demining term is what they used to describe me as a girl who was black on the outside but white on the inside. However, it is the implication of the divisiveness of respectability politics that I found most intriguing. Gay’s purpose is to show that respectability politics are not the end to racism and not the solution in disarming the systems that continually perpetuate the oppression of black people. She further supports this by showing how respectability politics allows the oppressor off the hook by focusing more on the oppressed and how they can change their constant oppression.
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But who deems what this right act is? Gay argues that respectability politics ignore the perpetrators of racism and this culturally approved behavior, which is inherently backed by white supremacy and puts more of the emphasis on the people who go against what is deemed acceptable. The talked about black people being able to get farther and be socially accepted if they act right. Gay supports her argument by talking about how celebrities like Bill Cosby and Don Lemon support respectability politics through their comments about the black community. People who deviate from this unspoken rule are seen as the issue. She further supports this idea by talking about the unspoken rule that people are held to that contributes to how they think, speak, and act. The concept of this argument is that if minority people act by what is deemed “proper,” they will fit into society and overcome the institution of racism. Gay describes this as the trouble that comes when black people don’t act in a way that fits the dominant cultural idea of how black people should act. Jenny Schlenzka (Executive Artistic Director, Performance Space) added: “ opinions are realistic and they’re sound: she wants a more equitable and accessible culture and sees how we can be part of creating this culture.Respectability politics in our society. In a statement, Roxane Gay said that she will strive to continue supporting experimental art and bringing a “ diversity of aesthetics” to the organization. Furthermore, Performance Space is known for making such unusual moves, such as giving temporary total control of the center to a group of artists. However, the selection of Gay was a calculated move to make the decision-making more representative of the general population. Most board members across art institutions tend to be rich collectors and philanthropists. Still, the selection of a writer for the position of board president is quite an unusual move for any art organization. She was acquainted with the center by her wife Debbie and has served on its board for 1.5 years now. Roxane Gay has been associated with Performance Space for quite some time now. In an event organized by Art In America, Gay also had an insightful conversation with painter Jenny Saville about things like fat acceptance and feminism. In an interview earlier this year, Gay revealed that her collection includes works from Kahlil Robert Irving, Jenny Holzer, Mickalene Thomas, and Julie Mehretu. She confesses that what began as a casual exploration of art pieces soon became an out-of-control passion. Performance Space, New York Foray Into Artīeyond her works as a writer, Gay is also an avid art collector. Gay is an outspoken social commentator, often focusing on the complex issues of gender and sexuality. Her 2017 book Hunger: A Memoir of (My) Body was also met with similar acclaim. A collection of her essays, Bad Feminist became a New York Times bestseller. Roxane Gay is a critically-acclaimed writer who first shot to fame in 2014 with Bad Feminist. In an unusual move, acclaimed writer Roxane Gay was named as the board president at the New York-based alternative art center Performance Space.